These devices don’t exactly come cheap, however, so expect to spend at least a few hundred dollars to get something worth your while. Gimbals use motors to counteract momvement, producing incredibly smooth footage in virtually any setting, from an easy handheld shot to an epic downhill mountain bike ride. This will let you make smooth pans to follow a subject or reveal a landscape.įor stabilizing shots in motion, there’s nothing better than a powered gimbal. As a GoPro is very light weight, there’s no need to get a heavy duty set of sticks for it, but do consider a tripod with a fluid pan head. For stationary shots, nothing beats a good-old tripod when it comes to stability. One of the best things about GoPro cameras being as ubiquitous as they are is that third-party accessories are equally common. The Hero7 Black features revolutionary electronic image stabilization, but as impressive as it is, using an external stabilizer still has its benefits, whether you need a static shot or a moving one. These filters are often found in sets, and the one you should use depends on they type of water and how deep you’ll be diving in it. Essentially sunglasses for your camera, an ND filter simply limits the light passing through to the lens.Ī polarizing filter is useful for cutting out reflections on glass or water, and can help your GoPro see through the surface of a lake or the windshield of a car.Īnd if you actually want to film underwater, a red or magenta filter will help remove the blue-green colorcast inherent to that environment. A host of GoPro filters are available to choose from, like this collection from Polarpro, but there are a few types worth drawing attention to.Ī neutral density (ND) filter works wonders when filming in bright environments by allowing for a slower shutter speed, which keeps footage looking smooth and natural. We aren’t talking about Instagram-like retro color filters or any other digital effect - we’re talking about actual physical filters that you can place in front of the lens to alter the light your GoPro sees. Image used with permission by copyright holder The narrower fields of view are good when you have more control over your framing and want to hone in on a particular subject or area of the scene. Here’s an easy way to remember which field of view you should pick: If you’re unsure of your framing and want to know that you’re getting all the action, go for ultra-wide. ![]() And don’t forget - you can even mount your GoPro upside down and it will automatically flip the footage to display it the right way. Making use of different fields of view is another way to mix up your shots. The Hero6 Black and new Hero7 Black even have touch-to-zoom functions that mimic a traditional zoom lens. Newer GoPro cameras offer a selection of crop modes, such as an ultrawide 170-degree angle of view, a medium 127 degrees, and a narrow 79 degrees. Even if you have just a single camera, if you’re going to be repeating an action many times throughout the day - say for surfing or snowboarding - consider repositioning the camera on each run to capture a greater variety of shots that can be edited together later. For example, when recording action, it’s most common to mount a forward-facing GoPro, but sometimes looking back at yourself can produce equally entertaining footage. ![]() We also recommend trying a mix of different camera positions to give viewers a comprehensive view of what’s going on, rather than just sticking to one viewpoint. As mountain bike YouTube channel the Loam Ranger explains, a GoPro strapped to your chest can lead to much more dramatic footage than one mounted way up on your helmet, as it puts your perspective closer to the ground. To illustrate a sense of speed, placing a GoPro closer to the action can really help. ![]() A GoPro offers a very wide angle of view that makes it easy to capture the action, but to create truly interesting videos, you should do more than simply set it and forget it.
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